Lightness Lost and Found

Lightness of spirit! I had been chasing my joie de vivre, wondering where it could be hiding. I had been on the front lines of culture wars, in the trenches, laboring to talk to all sides. I was looking for the seams of illumination. But the heavy load became leaden; I acquired a leaden walk. Even when tamping it down, I felt leaden. Even in Paris, I said this has long legs. The world has long legs and arms, and every armature to invade our spirit.

Lightness of spirit – how? Lightness – how to remember giddiness, a spritz, a throwing off of weight?

I dreamed of a man leaning against a wall. Every time I looked, he had an open passage on his chest, as if his upper cavity were an aquarium. He had waves within him that surged and coursed but never overflowed. Three times I looked, and his chest was still transparent and full of bright water. It was the first night of Hanukkah. Magritte dans les rêves?

Then, with no warning, no reason, no nothing, all that heaviness lifted — oof! gone! — a clear surge of water swept through. It happens. I had to wait to touch the original part of self birthed by wonder. I had been burnishing my list of things I love about Paris and who wouldn’t be grateful, but I needed the bolt of light. Wonder again! The gray weather now still sits on my eyebrows, “la grisaille s’est assise sur mes sourcils,” but my eyes are seeing – the fabulous, in spite of everything. Including. Everything.

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A Spectacle and Nothing Strange

Rain in Paris, great whorls of it spinning, falling
as knotted string, strung pearls, bird’s nests,
gray hair, wire barbed or not, cat gut, old paint brushes,
tumbleweeds.  Clean your hairbrush, bad curtains
in strips, cloud shreds, albumen, cauldrons 
of bouillon, cassette ribbons, phlegm and tears
like liquid crystals. We came to unwind, stifle the contraction
of a muscle, ease psychic anxiety, thicken
the moment, elevate life from sorrows revealed —  
drizzle honey, find tea to paint with, 
wake with, dazzle our eyes, spy, spin words,
sun on a surfing bird, its bright wing, soon 
pink lakes that pool in the clouds,
see or imagine them.

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To Spill; a Sequin Jacket; Public Opinion

His sequin jacket, so tight last night,
scatters itself across the water.

Parts always made up his whole,
the reveler never believed in Absolutes;  

nor did trees who say enough to a green monolith,
and spangle into scarlet, rust, cranberry.

Opinion these days, so all or nothing.
No glitter, this monster bully, no letting in

daylight, no gaps, no sense. It doesn’t decay,
spread, dissipate, spill itself for love and living.  

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Code RED

RED.  Indelible.  Dipped in. 
Day-glo, night-glow leaf show.

The color arbor
indifferent to our words – 

wobbly, spanning our confusion. 
Words spin on the turntable of language.

The mixed-use heart.
All warmth and passion

or is it all red fury? 
Red Alert – a love or war 

emergency? 
Blood as in beating and alive,

or draining on a sidewalk?
We are unhappy people

in a happy world.  I heard
it said.  And it wobbled

in the red, fully lit garden.
Something will happen

We just don’t know what.

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The Annals of Avoidance

Days and days and days.  In a week.  So many ways to distract self.  The annals of avoidance would fill a book of the world.  What else could lure me to my closet and sort out my sock and tights, search for runs, holes, for among the mess I cannot find a decent pair of 30 den black tights?  And what’s with the long reams of sheets on the ironing board?  And good God, a user’s manual?  Pinning myself to an online help center and following the steps, in order, one two three, to obtain access to a recalcitrant app?  To keep the cesspool of news and social media warp at bay. Also, the inarticulateness of grief.  

Then something turns my stubborn head: Emily Dickinson.  If it feels as if the top of my head is taken off, it’s poetry, Dickinson said – she knew.  Could she have been more articulate about grief in the poem titled after its first line: After great pain, a formal feelings comes—? “After a trauma, stiffness takes over, and in the poem becomes personified: “The Nerves sit ceremonious, like Tombs –”

Woh.  With such delicacy, Dickinson hovers around the anesthetized parts after the adrenaline wears off.  The stony interior that is aware of the magnitude and overwhelmed by the change. Transparent and beautiful, the poem allows a subtle inner consciousness to be spied on, made alive, moved through.  Some things are made delicate, beautiful and meant to run, like nylons; others, like poetry, are delicate, beautiful and are built to last. 

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Back to Hard Ground

Trees are shedding their summer hair.
What a tiny comb was used for grooming –
tufts pile on the sidewalk, bright and seething.

Where were we when we lost our crickets?
Softly, softly they left us without a sound,
dark-ness falls hard on hard ground, the cushion

they made gone, no love or jangle to soften
obsession, cool nights, bombs, part of the ear’s fabric. 
You can never put the shriek back in the throat of the cricket. 

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Half-Baked Prayer (So Far, So Near)

Because I still have an oven, I can bake bread and knock on the crust: 
a hostage might answer.
Because yeast is alive for a short time,
embroider my name in your handmade world.

Oh long reams of sheets on the ironing board, 
I give you my full attention.   
I give you Simone Weil and Malebranche: 
attentiveness the soul’s natural prayer 
Is prayer.  Pray, pray. With feet.  With flowers, sticks.
With undone lips, with murmuring surf.

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Beyond Belief

To not know; to think only about the usual mixed feelings of crossing back to “real life” after a holiday, with tender feet and breathing open pores.  To be one of the ravers in the Israeli desert dancing under the starry October sky.  To be an observant Jew dancing wildly over Sukkot-Shabbat-Simchat Torah, giving thanks over three holidays celebrating joy, joy, joy, going into otherness – not knowing about the bloody weekend.

I was counting the hours of those in blissful ignorance, having switched off their devices for another kind of communication as one holiday slid into another into another — before they’d have to rejoin those who knew. That sliver of innocence would not narrow and close in the usual way, with a shiver, a tremble as we cross back over the straits — as poet Yehuda Amichai writes, trying to soak it all up before the flute holes close.

From one kind of abyss to another.  Strewn with corpses draped like black flowers/on roads, on the tops of cars, in one’s hearts and arms.

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All the Days of Awe

The Days of Awe open on Rosh Hashanah and close on Yom Kippur. When my birthday falls on Rosh Hashanah, it gets lost in the birthday of the world; when it falls on Yom Kippur, celebrations turn sober and thin. Gallows humor when fasting, enacting symbolic death? Fat chance! 

This year, the birthday fell smack in the middle of the Days of Awe – and I got a day or two of awe. When your walls come tumbling down (Rabbi Alan Lew’s image), as they did unbidden during this season of introspection, you get some light in the gaps of the rebuilding. That happened mid-week – all in betweens! – in a New England-y place familiar and known (Maine) but charged. I cleared the slate and came with heightened sensibility; came to the sapphire sky with such a mind. Something came to meet me. 

Everything got renewed by the sea, standing on the deck of a fishery
in the presence of a rope coiled, braided, stiff with the sting of fish iodine
and rusted wires woven together with gates, doors, traps
and floats bulbed in mottled white and bright fuchsia 
hanging like a bunch of radishes. 

Yes to Paul Eluard: “Is there another world? Yes, in this one.”

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Blasting Complacency

When the same word floats up from the most disparate-seeming characters.  My yoga teacher. My poetry mentor. A black hat rabbi. The list would be disparate enough without Baudelaire – but the dark prince poet was at the forefront in demanding we slough off our lazy habits that inure us to precision and keep us from paying – drum roll please – Attention!  Attention – the practice my yoga teacher, poetry mentor and rabbi insist we devote ourselves to rather than allow slothful addiction to routine to cloud perception of what is. 

The reason I think about it is that this weekend: Shofar!  The curly ram’s horn provocateur is regularly blown on Rosh Hashanah, the Jewish New Year.  One prayer: May the cry of the shofar chatter our complacency. Another: May the cry elicit the response, hineini, I’m in the moment.  As Maimonides said, “Awake, O you sleepers, awake from your sleep! O you slumberers, awake from your slumber.”  

Then there’s the fact that this Saturday, the shofar took a Shabbat rest; the routine that breaks routine was broken. The rabbi compared us to attendees to John Cage’s 4:33, walking into the hall expecting a blast – and instead we hear silence. Or non-silence: coughs, shoes, heavy breath, pulse of the universe.  Dereglement of the senses.  Music/life in the white space.  Or rather, music/life is the white space.

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