The Holidays as 1001 Nights

The holidays are so full and strange, how do you put your finger on them?  (They’re like angels, amorphous, without gender, age, bodily materiality.)   Not knowing how to celebrate – what do Santa Claus and Jesus have to do with each other? – we languish, spin longrunning sentences over tea, segue from the faux pas of old racist boss at the holiday party to best of Wicked to why a mother didn’t keep her kid from eating cake off a slip of paper on the Penn Station floor.  The thin veneer of civilization mentioned – it rubs off in uncivilized holiday travel –then we languish more, ferret out a few gray hairs among sisters, watch a tear form and magnify a gorgeous eye, then silently make its lonely trace down a soft cheek to the corner of a lip.  Wonder again about that baby Jesú.  Some of us run out to see the only positive connection, plump infants, bully infants in gold leaf on Italian medieval paintings – then come back to languish, it now obvious it is one very long sentence where the gossip keeps getting sharper, tarter – and the bonds of love more velvet.  Keep talking, lest we lose our values and become self-branded products, milk and makeup brands ourselves.  As a new world begs to be born but can’t figure out how the hell to do it.  We keep talking, we’ve read 1001 Nights; as long as we don’t use the word “broken” — the most broken word ever –we’ll be spellbound together. 

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Bright Rim of Ear Lyric

Asterisks and diamond drops
and the cold, so cold,
Lording-over-us blue 

and the rose chill – 
sky’s bright rim of ear, 
so cold, asking to be nibbled

this renegade that escaped,
a maraschino cherry
a cocktail on ice

so raw and beloved
the song’s song be-
longing in our mortal ear. 

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Broadcast Moon

The misted moon as variety of black and white TV—
backdrop, desk and headshot
of nightly news in the 60s – 

stern, nervy, full of filament

unfed, unfulfilled  
it speaks, never clearly, across light years

inkling of a vaster meaning
than petty characters preening

it pleads our plight
conveys only questions:

Is it real snow? Is un-
certainty only certain? 

(It’s hard to hear 
when someone in the back room 
is popping bubbles) 

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The Art (a)Part

So many forebodings in the dark, so much dark. 

The dark of the cinema spared by fire and bombs 
of a World War – my mom, that little redhead, 

her Jersey drugstore, Fords, Astaire?  
Now I understand the world so various –

still question the art (a)part, as the world turns
like dice, still inscrutable –

I’m wearing a darker shade of lipstick 
deep red, black rose, my double and I taking pleasure

in the mirror we sing – à la Brecht — about the dark times. 

Questions sift to a close. The cat left a gift
of a dead rabbit on the doorstep.  The wind whips.  
I drift into sleep. 

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A Brief Encounter

Stark, a shock, magenta tree intensity matched, 
Briefly, against a sky darkening periwinkle
Swirled with black, call it dream this carriage
Of color held in its passage, these leaves red
When day-dressed, now in evening glamour, 
Black-rose, killer berry, two energies
Paired married two shades of somber beauty
Brief, eclipsed, as this one’s marriage, that one’s 
Country, sometimes handed on a silver platter
To a bully, sometimes just the music of the spheres

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Blink Twice

That sitting in the sun
hasn’t changed when
everything has changed

though houses stand streetwise
like gaps in a young girl’s teeth

water will seep slowly
under your fingernails

drip by insidious drip
someone’s nails turn black

black velvet paintings once plunged 
you into raving pleasure zones

will you ever get back 

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Continue to Speak this Dialect

Wolfgang Tillmans, Contemporary Art Library

“Continue to speak this dialect, now that the house is burning”
Giorgio Agamben on poetry, When the House Burns Down.


What luxury, this rage! 
It keeps me hot and vital as any 
heart medication.  First the human project, 
then the sputtered failure of words.

Bereft; the minutes and hours 
of flame give way.  My desire fades, 
no rays of sun light the heartbreak.

Quiet, so.  Quiet, and still.  

The stone.  Ever stone.  In the tart November sun.
Stone.  Put my ear to.  One in my pocket, shift
to the other.  In my cheek.  In the other. 

On the grave, instead of flowers.  What eeks
from layer to layer.  The whole story
written.  Cradled by the unsaid.  

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After Angel Food

The sun did rise again, no buts.  
Well, a great many things have been said
in the cauldron of hours.  We have not been
shaken out of the cage of the bingo spinner.
Ginkgo leaves approximate the sun’s brightness; 
are brightness themselves; no cancelling their it-ness.

Today was another hard day.  And tomorrow
will be harder.  Well, we will eat thick soups
with large spoons. Hazard a guess which
swooping shadows are birds, which one leaves.
I once pressed gingkos between pages for the future, 
the other day I saw a girl with a gingko necklace.

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The World Holds its Breath

They don’t call French villagers malin – wily – for nothing.  We were inching forward in line at the only boulangerie in town, admiring the baguettes leaning like bayonets against the metal rack.  Should we try the pain de compagne, or a slim flute? A little village lady, in a flowered house dress, with crinkly apple cheeks, heard our English — the cat was out of the bag!  — and began chattering.  

What were we doing in this picturesque but mini village, how long would we stay? Baguette, s’il vous plait, I said, then answered her, and as we left the closet sized space, she followed me out, now speaking French and launching into a long story of her dear friend who studied with her at university and lives in Vermont.  Under the extravagant shade of the platanes, passing regulars drinking early on a bar terrace, we talked about my years in France. We walked down to the fruit store where a vendor was arranging pyramids of peaches.  My now best friend advised me on tomatoes, and white nectarines, plums.  

Standing near a fountain, still chattering, I finally smiled and said I had to leave.  She grasped both of my hands and held them in her smooth, peach-like palms.  “I’m praying for your country on November 5th.”  

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Dear Hip

Dear Hip, you who made me, snug socket,
master of the pivot, pea in a pod, bat hanging in its bone cave.
Through sinuous turns you made me sinuous, hip.

Cross-legged child to woman with legs.
Dancer taking on hip hop kids, having clacked
Round moguls of ski slopes. The turn.

What would be crux. Lap maker, taker. Open
open to flights of love, supple translucence,
tasty weightless all supple flesh. Open-legged

to deep creation, crowning heads of my babies.
Wandering poet, shooting from the hip.
Bones with their gelatinous lip get chewed out.

I said, surgeon, let me still shoot from the hip!
And welcome the newcomer, welcome.

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